Global Culture and Society
Global Culture and Society examines global problems through and anthropological and sociological perspectives.
Students select four courses (12 credits) from the list below.
- ANTH 580 - Environmental Anthropology
- ANTH 635 - Regional Ethnography
- ANTH 655 - Nationalism, Transnationalism, & States: Local/ Global Perspectives
- ANTH 721 - Culture, Power, and Conflict
- CONF 707 - Gender and Violence
- CONF 720 - Ethnic and Cultural Factors in Conflict Resolution
- CONF 753 - Post-Conflict Contexts: Between Global and Local
- ENGH 665 - Texts in Global Contexts
- GOVT 530 - Comparative Politics
- GOVT 641 - Seminar in Global Systems
- GOVT 725 - Democratic Theory
- GOVT 739 - Issues in Comparative and International Politics
- HIST 510 - Approaches to Modern World History
- HIST 535 - Problems in Comparative World History
- HIST 615 - Problems in American History
- MUSI 640 - Topics in World Music
- RELI 632 - World Religions in Conflict and Dialogue
- RELI 633 - Ethical Perspectives of World Religions
- RELI 642 - Sacred Language, Scripture, and Culture
- SOAN 510 - Culture and Globalization
- SOCI 623 - Racial and Ethnic Relations: American and Selected Global Perspectives
- SPMT 551 - Sport in the Global Marketplace
- WMST 640 - Women and Global Issues
Or other course approved by the program director
Relevant Spring 2020 Sections
The University Catalog is the authoritative source for information on courses. The Schedule of Classes is the authoritative source for information on classes scheduled for this semester. See the Schedule for the most up-to-date information and see Patriot web to register for classes.
ENGH 642 - 001: Literature of the Enlightenmnt
04:30 PM to 07:10 PM M
Aquia Building 219Instructor: Alok Yadav
The Enlightenment is the name both of a historical era in the European world (roughly the period from the late 17th century through the end of the 18th century) and of a self-consciously modern and progressive intellectual and cultural movement that took shape during this era. This intellectual and cultural movement was not necessarily the dominant cultural force in the era, but it was a powerful critical or dissident force that has—in its contest with anti-Enlightenment counter tendencies—shaped fundamental aspects of our modern world. Helping students to gain a richer, deeper understanding of the Enlightenment is thus one main objective of this course.
More particularly, we’ll be interested in examining how ideas, especially new ideas, manifest themselves in literary culture and in literary works. The Enlightenment was a period of great intellectual ferment in European societies, as a new spirit of inquiry took hold of the intellectual and cultural worlds of these societies and all sorts of received ideas were questioned or critiqued. This led to reformist attention to many aspects of social and cultural life and, in turn, to challenges for literary authors on whether and how to grapple with this ferment in their works. In our own time, literary authors face a very similar challenge: how to engage contemporary intellectual-cultural-social concerns in literary works? How might an author take up contemporary debates around multiculturalism, immigration, and the changing face of US society; about feminism (e.g. the MeToo movement); about income and wealth inequality in a democratic society; about prison and policing reform and racial injustice; about the climate crisis, etc.? How do these concerns find their way into contemporary writing? Writers in the Enlightenment faced similar challenges in relation to the issues of their own day, some of them very different from the issues we confront, some of them with some resonance with our own concerns. In this course, we’ll be interested in examining the literature of the Enlightenment period with an eye to the variety of ways authors took up the intellectual debates of their time., what forms a literature of ideas and/or engagement took in this era.
Our focus will be on the range of old and new genres that were adapted for these purposes, but that often fall to the side of our typical focus on novels, poetry, and plays. Genres such as philosophical dialogues, conversations with the dead, fables, periodical essays, fictional travels, Oriental tales, popularizing science writing, philosophy, reviews and criticism, lectures and demonstrations. We will read British writers as well as European ones (in English translation) as we explore the ways in which a new kind of literary culture emerged under the influence of the Enlightenment and as a way of propagating enlightenment.
ENGH 676 - 001: Introduct to Cultural Studies
07:20 PM to 10:00 PM W
Research Hall 202Instructor: Alexander Monea
FREN 550 - 001: Dsplcemnt, Ident, Exile, 20thC
04:30 PM to 07:10 PM R
Aquia Building 347Instructor: Raluca Romaniuc
HIST 510 - 001: Approaches to Modern World History
04:30 PM to 07:10 PM T
East Building 134Instructor: Peter N. Stearns
This course focuses on the development of modern societies – in the United States, in Europe, and in other key world regions. The course thus serves students with interests in these three categories, with somewhat different readings depending on interest. And the course will be actively comparative. The fundamental issue involves exploring the tension between seeing modern societies largely in terms of economic and industrial change, and taking a wider perspective involving politics, family and gender, and popular culture.
INTS 550 - 001: Social Innovation In Action
03:00 PM to 04:15 PM MW
Peterson Hall 1106Instructor: Gregory Unruh
PHIL 683 - 001: W. E. B. Du Bois and Alain Locke: Race, Culture, Society
04:30 PM to 07:10 PM W
Innovation Hall 133Instructor: Rose M Cherubin
Instructors: Dr. Rutledge Dennis (SOCI), Dr. Rose Cherubin (PHIL)
The Du Bois – Locke Seminar explores the sociological, philosophical, and historical writings and perspectives of Du Bois and Locke as they create, analyze, and critique issues pertaining to race and ethnicity, art and culture, value, identity, and aesthetics, both within and beyond the Black World. Though their scholarship and activism began in the first decades of the twentieth century and was central to the world of the Harlem Renaissance, and though there were similarities and dissimilarities in their views, Du Bois and Locke each proposed ideas, values, and themes that transcended that world and period, extending well into the Black Power Movement and beyond, including resonances in the contemporary Black Lives Matter Movement.
For PHIL MA students in the Traditional and Contemporary focus, this course can be used to fulfill the contemporary philosophy requirement, or can be used as an elective.
For PHIL MA students in the Ethics and Public Affairs concentration, this course can be used as an elective.
SOCI 614 - 001: Sociology of Culture
03:00 PM to 04:15 PM MW
Peterson Hall 1105Instructor: Mark D Jacobs
SPAN 502 - 001: Hisp Sociolinguistics
04:30 PM to 07:10 PM M
Aquia Building 347Instructor: Jennifer Leeman
SPAN 512 - DL1: Mass Media and Popular Culture
Instructor: Lisa M. Rabin
As the enduring and ever-evolving telenovela shows -- from its origins in the radio drama; to its coming-of-age on national networks; to its reshaping on globalized formats -- Latin American mass media and Latin American popular culture are closely entwined. At the university, scholars have researched the Latin American mass media from various angles: as industrial products; as popular culture; and also as works of the imagination. This advanced course in the Spanish B.A. and M.A. program introduces students to several of these approaches in the academic disciplines of communication studies, cultural studies and film and media studies. Students will have an opportunity to apply these approaches in their analysis of historical and contemporary media narratives, including newspapers of the early republics; turn-of-the-century serial novels and radio dramas; comics and industrial film musicals in the age of nationalisms; national telenovelas in the dawn of television and globalized telenovelas in the digital present.
Recommended prerequisites: SPAN 370, 385, and 390; students may also register with professor’s permission. Course taught in Spanish and entirely online | Cross-listed with SPAN 482 DL.
SPAN 551 - 002: Baroque Visual Culture
04:30 PM to 07:10 PM W
Aquia Building 347Instructor: Antonio Carreño-Rodríguez
WMST 640 - 001: Transntnal/Global Feminisms
04:30 PM to 07:10 PM T
Johnson Center 240AInstructor: Yevette Richards Jordan